There is nothing shocking, dramatic or distressing about Forced to Flee. It avoids representing any of the physical effects of forced displacement on the human body: anguish, injury, illness, destitution, death – or crying. The exhibition not only challenges the idea of the refugee as a silent suffering body, but interrupts the whole set of emotional relationships that go along with that idea. Forced to Flee spans a century of refugee history, but rather than taking each historical moment in turn, the exhibition follows the steps of a ‘typical’ refugee story: the departure, the journey, the arrival, the asylum procedure, the integration process.